Blurring the line between art and architecture

September 19, 2016 12:00 am | Updated November 01, 2016 07:26 pm IST - NEW DELHI:

Eclectic mix:On display at IHC, a graduate from School of Planning and Architecture has used 15 canvasses to mix courtyards, terraces, along with wind and sunlight into modern structures.Photo: Special Arrangement

Eclectic mix:On display at IHC, a graduate from School of Planning and Architecture has used 15 canvasses to mix courtyards, terraces, along with wind and sunlight into modern structures.Photo: Special Arrangement

In an attempt to blur the line between architecture and art, city-based architect Vidur Bharadwaj has combined the design ethos of historical monuments with the aesthetics of modern art to remind viewers of how sustainable architecture is both necessary and possible.

In a solo show at the Visual Arts Gallery, India Habitat Centre, titled Soul In Structure, Vidur has in 15 canvases mixed courtyards, terraces, verandas along with water bodies, wind and sunlight into modern structures.

Vidur, a graduate from School of Planning and Architecture, Delhi, says that in today’s era of glass buildings, we are losing the basic essence that made all earlier buildings sustainable in themselves.

“It has always been my conscious effort to make my projects socially, economically and environmentally responsible buildings. When I began working on my paintings, I wanted to combine my fascination with both sustainability and traditional architecture.”

Vidur says he used the imagery of the Sun and a child in almost each work. “The Sun is the source of all energy and a child represents the future, for whom we have to save this planet,” says the artist.

“The process I have used is to combine photographs of my projects with the elements that inspire me as an architect, be it nature, monuments or moments,” Vidur adds. His works have been inspired by the Jag Mandir in Udaipur , Patni Campus, Noida, Wipro Campus, Noida, Mohenjo-Daro civilisation among others.

The painting titled ‘Wipro, Gurgaon’ highlights the concept of a courtyard, an integral part of ancient Indian architecture.

“The art installation has a wooden door opening into the painting, which shows a child sitting on the chaukhat of the door, inspired by my memories of childhood in my grandparents’ house,” says the artist.

‘Delhi One’ tells us about the first address in Noida – a high-end mixed-used development including the Four Seasons Hotel, commercial and residential spaces - inspired by Chandni Chowk of yore, which had shops on the ground and residences above.

Vidur says he has used the imagery

of the Sun and

a child in almost each work

0 / 0
Sign in to unlock member-only benefits!
  • Access 10 free stories every month
  • Save stories to read later
  • Access to comment on every story
  • Sign-up/manage your newsletter subscriptions with a single click
  • Get notified by email for early access to discounts & offers on our products
Sign in

Comments

Comments have to be in English, and in full sentences. They cannot be abusive or personal. Please abide by our community guidelines for posting your comments.

We have migrated to a new commenting platform. If you are already a registered user of The Hindu and logged in, you may continue to engage with our articles. If you do not have an account please register and login to post comments. Users can access their older comments by logging into their accounts on Vuukle.