In step with the legacy

Rupa Srikanth

January 05, 2017 05:09 pm | Updated 05:11 pm IST

Yamini and Bhavana Reddy. Photo: Special Arrangement

Yamini and Bhavana Reddy. Photo: Special Arrangement

Young, up-and-coming Kuchipudi dancers, Yamini and Bhavana Reddy, are the daughters and disciples of Raja, Radha and Kausalya Reddy. They presented ‘Adviteeyam-Advaitam’, a thematic programme on the metaphysical debate between followers of Vishnu and Siva, choreographed by their gurus. The sisters performed for Kartik Fine Arts.

Their style of Kuchipudi has fast, sharp movements with plenty of challenging poses that require suppleness. This is a more streamlined version of the female-dominated solo style developed by Vedantam Lakshminarayana Shastri, as an off-shoot of the all-male Kuchipudi Bhagavata Mela.

The sisters are confident masters of the stage — impeccable timing, precision in every pose, perfection in execution and complete identification with the role portrayed. The coordination between music and dance was also word perfect.

Leading the orchestra was the lovely, husky-voiced Kausalya (nattuvanar), who had the support of expert musicians: D.V. Ravikanth (vocal), Sai Kumar (violin), Ananthakrishnan (flute) and Bhaskar Rao (mridangam).

‘Adviteeyam-Advaitam’ signifying the One Absolute Reality took the rasika through a visual journey of well-known songs. They started and ended on the note of oneness, commencing with an Annamacharya kriti, ‘Entha Mathramu’ (ragamalika), where the poet says of Venkateshwara, ‘You are whatever others imagine you to be.’

Siva and Vishnu were platformed through their leelas, such as the Siva Tandava (‘Aadenamma, Paras, Adi, Pallavi Doraiswamy Iyer) and the Kalinga Narthana (‘Kalinga Narthana’ tillana, Gambhira Nattai, Adi, Oothukadu Venkata Subbaiyer)

Both Siva and Vishnu come together in, ‘Natavara Taruni Saha Rasavilasa’ (Kannadagaula, Adi, Otthukadu Venkata Subbaiyer), in which the legend about Siva dressing up as a gopi to participate in Krishna’s raas-leela was delineated. They ended with a bhajan that equated Hari and Hara, ‘Shambho Mahadeva Sada Shiva.’

‘Adviteeyam...’ was a production with rich music, costumes and lighting. The solos were executed with intense concentration, however, more exciting visualisation could have heightened the impact.

The other dancers were: Sivani Kuruvada, Manaal Soni, Aditi and Apoorva.

0 / 0
Sign in to unlock member-only benefits!
  • Access 10 free stories every month
  • Save stories to read later
  • Access to comment on every story
  • Sign-up/manage your newsletter subscriptions with a single click
  • Get notified by email for early access to discounts & offers on our products
Sign in

Comments

Comments have to be in English, and in full sentences. They cannot be abusive or personal. Please abide by our community guidelines for posting your comments.

We have migrated to a new commenting platform. If you are already a registered user of The Hindu and logged in, you may continue to engage with our articles. If you do not have an account please register and login to post comments. Users can access their older comments by logging into their accounts on Vuukle.