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Catherine Keener plays caseworker Heidi Bergman in Homecoming. Photograph: Jonathan Leibson/Getty Images
Catherine Keener plays caseworker Heidi Bergman in Homecoming. Photograph: Jonathan Leibson/Getty Images
Catherine Keener plays caseworker Heidi Bergman in Homecoming. Photograph: Jonathan Leibson/Getty Images

Homecoming: a starstudded psychological thriller in podcast form

This article is more than 7 years old

Catherine Keener as a caseworker helping damaged soldiers and David Schwimmer as her take-no-prisoners boss lead this post-Serial narrative drama

In the post-Serial world, drama podcasts have been upping their game and now Homecoming (iTunes, Gimlet Media) takes the format to another level.

It’s impossible not to become immersed in the opening episode of the psychological thriller. Catherine Keener stars as Heidi Bergman, a caseworker from an experimental facility who’s helping soldiers integrate back into the community. She’s focusing on Walter Cruz (Star Wars’ Oscar Isaac), who is trying to live a normal life and keep his inner darkness at bay. It’s not easy, as he reveals his thoughts about harming himself: “I saw the desk and I just imagine leaning way back and slamming my forehead into the corner as hard as I could, over and over, into my eye,” he tells her. “But that was an extreme. It’s not like that all the time.”

Bergman is keen to take a holistic approach, which is not good news for Colin Belfast, her take-no-prisoners boss, played by David Schwimmer. He is heard rushing through the airport, tripping over a little girl’s backpack as he instructs Bergman to “get really granular with all that shit”. He even provides a moment of light relief. “This is a walkway!” he rages, incredulously. “All right. Goodbye. Good talk.”

Homecoming is the first scripted series for Gimlet Media, producers of podcast hits such as Heavyweight, StartUp and Reply All. The quality of the acting draws you in, then stops you in your tracks. (Arrested Development’s David Cross and comedian Amy Sedaris are also on the cast list.) It nails the feeling that characters are doing what they’re supposed to do, rather than standing huddled around a microphone. Subtle sound effects, such as a fishtank bubbling away in the background, and not-so-subtle ones like the noise of a busy airport, make it more akin to a lavish TV production than a staged radio drama.

As the narrative flips back and forth from Heidi’s time as a caseworker to five years later, when she’s waitressing, mystery surrounds what brought her there.

Ending on a cliffhanger after only 19 minutes, Homecoming leaves you wanting more. Good job there’s another five episodes in the first season.

If you like this, try this: Limetown, a mysterious tale of a place where everyone disappeared.

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