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Bowled Out

We approach MS Dhoni: The Untold Story with much trepidation — a sea change to one’s approach towards his skills as a cricketer. Most sports films that come out of Bollywood end up being damp squibs in terms of soundtracks. The recent addition to that list was the Emran Hashmi-starrer Azhar. Sushant Singh Rajput-starrer MS […]

Music review, Composer: Amaal Mallik, Rochak Kohli Lyrics: Manoj Muntashir, Emran Hashmi-starrer Azhar. Sushant Singh Rajput-starrer MS Dhoni, MS Dhoni: The Untold Story Music review, Latest news, India new As till from the movie.

We approach MS Dhoni: The Untold Story with much trepidation — a sea change to one’s approach towards his skills as a cricketer. Most sports films that come out of Bollywood end up being damp squibs in terms of soundtracks. The recent addition to that list was the Emran Hashmi-starrer Azhar. Sushant Singh Rajput-starrer MS Dhoni is no different. It falls in the same category where bland romantic songs are the order of the day, and five out of eight tracks sound similar — the last thing that the biopic of Indian cricket captain Mahender Singh Dhoni should put out. It could’ve done with tracks that give out the essence of the game and tracks that set the mood for the film — something that soundtracks of Chak De India and Iqbal did well. MS Dhoni falls flat on all those counts. Also, the choice of Amaal Mallik as a composer — one who is known for and has delivered mostly basic, boring, and only sometimes palatable melodies — by director Neeraj Pandey is surprising.

WATCH VIDEO: MS Dhoni Audience Reaction: Sushant Singh Rajput Wins Audience’s Heart With His Performance

 

The album opens with Besabriyaan, in the middle of which an electric guitar interlude merges into a string and wind section so abruptly that one wonders what happened. Armaan Mallik, the brother of the composer, whose voice has been used in three songs, makes a good attempt in this one. He sings in tune and does the best that can be done to a very ordinary composition. The grouse about this piece, however, is the repeated use of the word Besabriyaan. Besabriyaan isn’t a word. We are all for creating new vocabulary but this, used in almost every line, in an attempt to pass it off as an Urdu word, sounds jarring. Lyricist Manoj Muntashir should’ve known better. This is followed by a piano prelude that opens Palak Muchhal’s Kaun tujhe. Every breath and note Muchhal attempts sounds like that of a nervous Shreya Ghosal. She keeps in tune with well-crafted bass but a monotonous melody and more monotonous and cheesy words (Kaun tujhe pyaar karega, jaise main karti hoon), that can get Sakshi Dhoni to cringe, surface. Jab tak, which is another one from the marquee of five similar pieces, has a string section playing along a basic drumbeat with the vocals. Nothing to write home about. Addition of Arijeet Singh for Phir kabhi can’t do much either. It definitely is a notch better than other melodies, though.

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WATCH VIDEO: MS Dhoni On His Involvement In Making Of His Biopic

 

Parwaah nahi is the only piece in the album that stands out. Siddharth Mahadevan sings up a storm along with brilliantly played electric guitars and powerful drumbeats. The orchestration is brilliant but the composition itself doesn’t manage to stay. Padhoge likhoge by a very young Ananya Nanda and Adithyan A Prithviraj opens like Salman Khan, with a pungi and dhols building an interlude. The two kids sing this situational number, which doesn’t do much musically.

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Har gali mein Dhoni, sung and composed by Kohli, comes close to what the album needed to be — anthemic, with a pulse. It begins slowly, finds a crescendo and has a thump. If Har gali is an example, then Kohli’s compositions could’ve worked better than most of the soppy ones that currently exist.

First uploaded on: 30-09-2016 at 00:29 IST
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