In 1981, at the Sydney Theatre Company, we presented a stylish production of Chinchilla, a play by Robert David MacDonald of the Glasgow Citizens Theatre. Chinchilla was the nickname of Serge Diaghilev, the impresario who created the Ballets Russes which revolutionised dance in the early 20th century. That such a play was written and produced is evidence of the enduring fascination with Diaghilev’s influence on design, music and dance.
Already a subscriber? Log in
Get 10 issues
for $10
Subscribe to The Spectator Australia today for the next 10 magazine issues, plus full online access, for just $10.
- Delivery of the weekly magazine
- Unlimited access to spectator.com.au and app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Don't miss out
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
SUBSCRIBEAlready a subscriber? Log in