Bluerider Art is currently experiencing a Chicago Invasion with artwork from five American artists hailing from the Windy City — Amy Van Winkle, Brigitte Wolf, Cesar Conde, Corinna Button and Zore. Some of the artists are transplants and others were born and bred in Chicago. Collectively, their work explores the diverse array of themes that characterize big city life, from lowlife street culture to racial issues and high fashion. While some of the artwork like Van Winkle’s monochrome paintings inspired by her travels around the world are calm and introspective, others such as Conde’s series of black-and-white depictions of African Americans wearing hoodies elicit ghastly fear. By contrast, Wolf’s colorful abstract paintings of crowds accurately portray the messy yet enticing allure of social gatherings. In a similar vein, Button’s paintings and sculptures inspired by noble women and fashion icons evoke a forbidden flair. Lastly, Zore’s charcoal spray paintings have a masculine, gritty feel — “graffpop” is what he calls it.
■ Bluerider Art (藍騎士藝術空間), 9F, 25-1, Renai Rd Sec 4, Taipei City (台北市仁愛路四段25-1號9樓), tel: (02) 2752-2238. Open Tuesdays to Saturdays from 9am to 6pm
■ Until June 27
Photo courtesy of Bluerider Art
Chengdu-born Chinese artist Peng Xiancheng (彭先誠) held his first exhibition in Taiwan in 1990, and to commemorate this anniversary, Tina Keng Gallery is currently featuring The Accidental Grace of Ink, 1990-2014 (墨骨靈韻, 1990-2014). A vast selection of Peng’s water-and-ink paintings will be on display, including those of landscapes, animals and Tang dynasty ladies. Peng is known for his use of the mogu (boneless) technique — a way of painting that renders forms in ink and color washes rather than through outlines. Elegant and controlled, his paintings, which have a simple yet regal feel, look like they could have been created centuries ago rather than in the present day.
■ Tina Keng Gallery (耿畫廊), 15, Ln 548, Ruiguang Rd, Taipei City (台北市瑞光路548巷15號), tel: (02) 2659-0798. Open Tuesdays to Sundays from 10am to 7pm
■ Until June 28
Photo courtesy of Taipei Fine Arts Museum
German philosopher Karl Marx once said, “All that is solid melts into air.” Modernity as we know it changes as times change and new ideas, theories, philosophies and “facts” are constantly introduced. The latest exhibition at the Museum of Contemporary Art in Taipei probes the notion of “modernity” as experienced in the era after post-colonialism in Asia and, in particular, within the Taiwanese context. Entitled M.E.L.T.Ing Project — One Year Conversation: Thread, Ghost Story, Escape (梅爾汀計畫 — 一年對話實踐:縫線、鬼故事、逃離), the exhibition, as its name suggests, is a one-year culmination of artwork that explores the three-tiered theme of dialogue — apparently, dialogues begin with threads, turn into ghost stories and then, words somehow escape and dissolve into thin air. Moreover, to add to the confusion, M.E.L.T. stands for meeting, encounter, lost and trace, because these are all supposedly processes that occur naturally during conversations we have in our everyday lives.
■ Museum of Contemporary Art, Taipei (台北當代藝術館, MOCA), 39 Changan W Rd, Taipei City (台北市長安西路39號), tel: (02) 2552-3720. Open Tuesdays to Sundays from 10am to 6pm
■ Until June 28
Photo courtesy of Bluerider Art
The Kuandu Museum of Fine Arts is currently showcasing a solo exhibition by Kuo Chuan-chiu (郭娟秋). Entitled One Piece Room, the exhibition includes a series of her contemplative, dream-like paintings filled with warm, deep-set hues. Using both abstract and realistic elements, Kuo’s paintings fuse depictions of nature with illustrative snippets of what she says are her inner thoughts. For instance, a realistic painting of a mountain will morph into vast green dreaminess or an orange pit of angst. Kuo’s idea, ultimately, is to become one with nature. Or, as the gallery notes state, “the landscape thinks itself in her and she is its consciousness.”
■ Kuandu Museum of Fine Arts (關渡美術館), 1 Xueyuan Rd, Taipei City (台北市學園路1號), tel: (02) 2896-1000 ext 2432. Open Tuesdays to Sundays from 10am to 5pm
■ Until July 5
Photo courtesy of Bluerider Art
In the past, the Taipei Fine Arts Museum has exhibited artwork that takes a social or environmental bend. Their latest exhibition is no different. Lacking fossil fuels, Taiwan relies on foreign imports for 90 percent of its energy. Make Sense (製造×意義) is a joint exhibition by 18 local artists that explores the negative effects of Taiwan’s petrochemical industry on the natural environment. A mish-mash of paints and installations, the artwork includes people plowing through overturned plastic boxes, beach umbrellas brightening up gray wind turbines in the background and washed-up boats covered in grime. Despite the bleak narrative, there are glimmers of hope in each of the artwork — for instance, colors appear effervescent through smog or pretty trees and mountains are still visible through spaces in between tangled garbage.
■ Taipei Fine Arts Museum (台北市立美術館 TFAM), 181, Zhongshan N Rd Sec 3, Taipei (台北市中山北路三段181號), tel: (02) 2595-7656. Open Tuesdays to Sundays from 9:30am to 5:30pm and until 8:30pm on Saturdays
■ Until Aug. 30
Photo courtesy of Bluerider Art
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby
April 22 to April 28 The true identity of the mastermind behind the Demon Gang (魔鬼黨) was undoubtedly on the minds of countless schoolchildren in late 1958. In the days leading up to the big reveal, more than 10,000 guesses were sent to Ta Hwa Publishing Co (大華文化社) for a chance to win prizes. The smash success of the comic series Great Battle Against the Demon Gang (大戰魔鬼黨) came as a surprise to author Yeh Hung-chia (葉宏甲), who had long given up on his dream after being jailed for 10 months in 1947 over political cartoons. Protagonist
Peter Brighton was amazed when he found the giant jackfruit. He had been watching it grow on his farm in far north Queensland, and when it came time to pick it from the tree, it was so heavy it needed two people to do the job. “I was surprised when we cut it off and felt how heavy it was,” he says. “I grabbed it and my wife cut it — couldn’t do it by myself, it took two of us.” Weighing in at 45 kilograms, it is the heaviest jackfruit that Brighton has ever grown on his tropical fruit farm, located