Design

Le Corbusier and the Biology of Beauty in Design

At the Venice Bienniale, an exhibit furthers the notion of an evolutionary single standard for what we find visually appealing.
Le Corbusier's Modulor Man as seen on the facade of his Cité Radieuse in Marseille.Flickr Creative Commons/Phil Beard

Even in the midst of a busy workweek, the notice got my attention: an invitation to a Venetian palace during the 56th Venice Bienniale, the stylish arts, film, and architecture festival that is a sort of continental combo of TED and Burning Man, with its inexplicable art installations astride gondola-dotted canals.

The Axel & May Vervoordt Foundation and the Fondazione Musei Civici di Venezia, I read, were proud to present a show called PROPORTIO at the Palazzo Fortuny—an exhibition that “will explore the omnipresence of universal proportions in art, science, music, and architecture.”