Excerpt: The hero and heroine meet in Katharine Ashe's 'I Adored a Lord'

Katharine Ashe loves her some meet-cutes. Here, she shares her thinking behind the first meeting between the hero and heroine of her new historical release, I Adored a Lord, out today.

Katharine Ashe: Imagine if you will …

A dark and frigidly cold stable, a young lady whose nerves are on high alert, and a mysterious stranger who comes upon her suddenly.

Then imagine …

A pitchfork wielded with zest, a string of uttered oaths, and a heroine trapped in a manner she's never been trapped before: beneath an angry, injured man.

And then … after some confused conversation … a kiss.

The first meeting of Ravenna Caulfield and Lord Vitor Courtenay in my new book I Adored a Lord is not a romantic moonlit rendezvous. It's a midnight wrestling match.

I adore writing first-meeting scenes. I love the crackle and spark of immediate physical attraction, the unsettling sense of familiarity between two people entirely unknown to each other, and the swift, almost panicked retreat from anything that hints of rightness. Some first-meeting scenes fly off my fingertips and onto the page like happy butterflies alighting on blooming flowers. Ravenna and Vitor's meeting was an especially exciting challenge.

I could have written it comically, like a classic meet-cute. But assault isn't funny — neither by pitchfork nor by entrapment beneath a powerful body. Yet the kiss, while his idea, had to be mutual. Their meeting is both dangerous and intimate. For that shift from violence to sensuality, Ravenna and Vitor had to sense something honest and captivating in each other very quickly.

I Adored a Lord is a house party murder mystery (like Clue!), so it's full of false façades. To write that first kiss, I needed to show that Ravenna and Vitor understood each other beyond appearances. Fortunately, that's my favorite thing to do, flipping appearances on their head and transforming discordant beginnings into delectable happily ever afters.

HERE'S THE SCENE …

A short, deep moan sounded in the hush.

Then … nothing.

The pup whined.

Ravenna counted to thirty. Stepping forward, she pushed the door open.

In the dim light she barely made out the man's profile against the floor: cap fallen askew off dark hair, longish nose, and a jaw shadowed by whisker growth. He wore plain clothing. His hands spread upon the floor were large. A scar ran across the top of his right hand from the V between his forefinger and middle finger into his sleeve, the memento of a sharp-edged tool going astray. She'd seen plenty of scars like that on farmers and stable hands.

This man must be a stable hand—a stable hand who should not have alarmed her. When he regained consciousness he would have a welt on his head the size of Devonshire.

His body blocked the door. To fetch help she would have to step over him. But her narrow skirts would not allow her to traverse him in one step. So much for attempting to dress like a lady.

He didn't move. He could not possibly be dead. But he remained so still. It seemed he did not draw breaths. Ravenna's fingertips itched, habit overcoming fear. She should probe his skull. If the door had cracked it, she knew what must be done. But first she must examine him.

Tentatively she shifted a toe forward and nudged his shoulder.

He groaned. She nudged harder.

His hand gripped her ankle so swiftly her fingers wrenched from the door. Twisting to avoid the pups, she went down fast, her shoulder striking the floor buffered by the thick straw. But he did not release her. Struggling back, she scrabbled for the wall and a weapon. Her hand snagged a handle. She wrenched it forward and it slipped through her numb fingers. The pitchfork crashed down on his leg.

"Good God!" he howled. "Damn it!"

Instead of doubling over, he lurched forward and grabbed her knee, and his other hand cinched around her wrist. Then he was upon her, his weight atop her, his knees and hips and chest pinning her to the straw and his hand clamping over her mouth as a scream jolted from her throat. She thrashed. His ankles twisted around hers, holding her legs immobile. He gripped her arm, the other trapped beneath her.

"Be still," he growled like an animal.

She went still.

"What are you doing, attacking an innocent man?" His tongue slurred. "Damn it, my head hurts. And my leg."

Her heartbeats battered against his chest pressed to hers. His face was inches away, satiny hair falling over eyes that were dark sockets of outrage. The icy air between them did not reek of spirits. He was not foxed. The slur must be from the injury. The door had hit him hard.

"I will release your mouth," he said, and squinted as though he were trying to focus. Long lashes. Long for a man. "But if you scream, you won't like the consequences. If you understand, blink once."

She blinked. His hand slid away from her mouth. She gulped in air.

"I still can't breathe," she rasped.

The pup mewled.

"Why are you here?" His gaze swept the neckline of her gown, then her hair. "Are you a maid?"

"I came outside—needed air. You're crushing—my lungs. Get—off me or—I'll scream and—bear the consequences."

"No scream will come without air to carry it." He sounded less slurred now. And too rational. "Tell me who you are and I will release you."

"Regina Slate. Daughter—Duke of Marylebone—guest. He'll have you—strung up by your neck when—he learns you've—touched me."

"Marylebone is a neighborhood, not a duke. And threatening a man with hanging in the uncertain future when he's got you in his power at present is idiocy." Now she heard a round, broken tone in his words. He was a foreigner. But not French, she thought, and he spoke English perfectly. Also, he knew Marylebone was a neighborhood in London. Her poor luck. "And if your father is a duke," he said, "I am the Emperor of China."

"Pleasure—" She gasped. "To make your acquaintance—your imperial majesty."

His hand tightened about her wrist. "What is your name and why are you in this stable?"

"Ravenna—Caulfield. Truly. You were right. I'm—nobody." With no one of her own to wrap her arms around at the end of the day and breathe in deeply, and no one to protect her from men who would throw themselves upon her because she was nobody.

"Caulfield." His brow bent. The pressure on her chest relaxed slightly and she tried to fill her lungs. "You are in Sir Beverley Clark's party?"

As stable hands went, this one seemed unusually well informed. "I work for him."

"What work do you do?" His eyes scanned her face with particular interest now, and an odd little eddy of awareness scampered through her. "Are you his mistress?"

"I care for his pet dogs and exotic birds."

Abruptly, his brow relaxed. A crease dented his scruffy cheek.

Ravenna's heart did a peculiar sideways leap.

"You care for his—"

"Dogs and exotic birds. Twelve dogs. Two birds. And one house pig." A strange agitation was rushing into her numb limbs. It must be terror. It could not be caused by the dent in his cheek above his hard jaw. He was a dangerous stranger attacking her. But attackers did not grin like they were curiously pleased.

A shimmer of red peeked from the fall of hair over his brow, the welt forming. A biscuit poultice would soothe that quick enough. Perhaps in the kitchen she could find milk and some—

"Animals?" he said, his gaze trailing over her face again, the dent deepening.

"I care for them and doctor them. I do the same for everybody's animals in the county when they get sick, without compensation because I am not a man and nobody thinks they need to pay me except with a basket of fresh eggs or a cream or a cake of soap, which I usually take to mean they think a woman should smell better than I do. This struggling in straw soaked with puppy urine isn't helping that problem, by the way. So now get off me."

But he wasn't going to release her. She saw the change in his eyes and felt it in his body the instant it happened. She hadn't much experience with men beyond the occasional brush of hands when she was holding on to one end of a lambing ewe and a farmer was hanging on to the other end. But she knew enough about rutting animals to recognize the signs of arousal in the male of the species, even her own.

The pupils of her attacker's eyes were wide in the darkness. Then his gaze dipped to her mouth.

"You smell good to me," he said, his voice deeper than before, like a warm autumn night…

Find out more about Katharine and her books at www.KatharineAshe.com.