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Germany

The Beautiful German Evolution: From Nazis To Nudists

Britons and Americans used to depict Germans as obsessed with Nazi uniforms, now our supposed obsession is nudism. A friendly patriotic ode to letting it all hang out.

A German nudist beach
A German nudist beach
Brenda Strohmaier

BERLIN — Anglo-Saxons have discovered something about Germans known as the “FKK thrill.” FKK stands for Freikörperkultur, or nudist culture.

But things are not always what they seem. For example, in a recent New York Timespiece, an American who described himself as something of a prude wrote about having mustered the courage to go to a Berlin bathhouse. Eager to be culturally proper with the naked-loving Germans, he, his wife and a friend of hers draped towels around their nude selves, just for the trip from the changing rooms to the thermal pool. Just as the three of them, buck naked, slid into the warm salt water, they noticed that all the other people in the pool were wearing their bathing suits.

These days, English-language coverage of Germany often depicts German saunas and parks as naturist compounds of aesthetic oversharing. Until a relatively short time ago, there was a different stereotype applied to Germans: They tended to be in uniform. And not in a flattering way. But somehow all those Fritz and Blitz articles were more respectful than this current spate of writing.

Remember London Mayor Boris Johnson’s trip to Berlin last summer? In a column in The Telegraph, he reported afterwards with praise and fascination about “frenzied Teutonic relaxation” in Berlin. “The most serious public order problem at the moment is the tendency of Berliners to pursue the logic of their Freikörpeskultursic by actually fornicating in their many magnificent parks,” he wrote. His grandfather had warned him about Germans and the nation’s insatiable thirst for supremacy, which reunification would only fuel. But in the younger Johnson’s mind, reunification has done Germany a world of good, and there is absolutely nothing to fear from us Germans.

Pssst, here’s the truth

But Boris Johnson wasn’t seeing things right. We German nudists communicate in more subtle ways than the exhibitionist protest group FEMEN’s ladies. Our agenda is written on our breasts in invisible ink. And if you knew how to read it you’d find out about things like the new dress standards for all EU holiday areas: mandatory FKK for one and all!

Photo: Pascal Willuhn

Do the Brits know what German Chancellor Angela Merkel was doing the day the Berlin Wall fell? Exactly! Relaxing in the sauna. Now is the time when Brits and other EU peoples should be overcome by fear. Yes, we Germans have stripped out of our uniforms. Because in times of asymmetrical war, uniforms are out.

The next EU conflict? Naked terror.

The kids are on the right path. Recently a friend of mine was driving through a deserted part of Brandenburg with her four children when they saw something so unlikely that the excited kids each described it piecemeal to their dad like this: Child 1: “We saw a man.” Child 2: “On a bicycle.” Child 3: “And he was.” Child 4: “Naked.” The children thought that biking through life naked was a pretty cool idea.

I recently trained for the nude toppling of the EU in a Hungarian hotel sauna. At reception, they told me to wear a bathing suit, but when I found myself alone in the sauna I got naked like any good German. No doubt about it: One look at my secret weapons and the term “sex bomb” will have to be redefined.

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Society

Prequels, Sequels And Spinoffs — Why We Don't Let Stories End Anymore

We love prequels and sequels to TV series and novels, from Harry Potter to The Handmaid's Tale. We want to rediscover the characters we loved and know everything about them. But is it right to pursue something that never ends?

Prequels, Sequels And Spinoffs — Why We Don't Let Stories End Anymore
AI-generated/Worldcrunch
Loredana Lipperini

-Essay-

TURIN — Italian author Enrico Brizzi has announced the sequel to Jack Frusciante Has Left the Band 30 years later, which of course it is entirely legitimate. It was also legitimate for American author Stephen King to write Doctor Sleep 36 years after The Shining, and for Canadian author Margaret Atwood to publish Testaments 34 years after The Handmaid's Tale.

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Writers live with the ghosts of their characters. And ghosts have an irritating habit of demanding attention long after they first appear. The problem is not the writer's but ours: we who read or watch movies and series and do not resign ourselves to the fact that stories end.

A few years ago, Italian author Gennaro Sasso, a fine philosopher and Dante scholar, noted an implied but central apocalyptic reading of "Divine Comedy": for the Italian poet, the story was in a sense already over when he was writing it. Yet for us, no story ends — just as in our imagination, we do not end.

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